Friday, May 12, 2017

Take away my crayons


Lots of photos in this one.

I decided I needed to make the hinges.  Used the angle steel that was left up in the rafters again.  Basically very large knife hinges.



Fitting them to the opening...well I tried to fit them.  More on that later.

After the jointing of the two pieces one last run through the big machine.
After being ravaged by the big machine I decide that it needs to cut to the final line by hand.
There's one big wrong in the crosscut photo.  David, you'll be able to pick it up.

And David, on the rip, I cracked the saw.  Damn, it was handmade too and the maker now is dead.





The wood gets attached to the hinges by threaded inserts and 3/8" bolts.  I took the shine off the new bolts and washers to fit with age of the hinge steel.

Handplaned the surface.  Just the barest of sliver coming through throat of the plane.
Grip, pull.  Repeat.

Backside ready to be picked up.
Up and In.
The square with the circle with the triangle on the other door.  Dictated by the city of Oakland.  There is one and only one room in the building and it's the restroom but we still need that sign on the door.





Chose to let the wood hold each other, the acceptance of one another through give and take.
Set in unfinished plaster, letting the corner bead show too.
I wanted the whole door to be flush with wall and still don't know how it happened but the bottom hinge got set in 1/4".  And so it shall be.  There's a 1/4" reveal.




Ok, so the handle.  I had the handle figured out in my head before I even thought about the door but now I'm not sure yet on it.  May have to go into the wilderness and fast until I have a power vision about it.

Right now to open the door you rotate your hand vertical.  With fingers on top of one another, you slide inside the slit.  You feel the walls of the crack as your hand slips in, curl your fingers just a bit and pull every so slightly.
Perfection really.  Functionally and metaphorically.


I heard this story one time of a kindergarten teacher whose pupils really excelled at their art.  When asked her secret why her students were so talented.
"You have to know when to take the crayons away."

So, I'm trying to listen to this.  Maybe to add to this will take something away.  Let it be.  Let it flow round and round.  Let the two pieces always be receptive to the intrusion of the hand to be opened.





Monday, May 8, 2017

Friday, May 5, 2017

1+1+1+1=1

It's a school night so Jules did his homework before and we couldn't take it too late.
A short four hour get it together at Tone's Vice Room.  Don't look for it on Google because you won't be able to find it. 
Tonight was going to be special since Megan was sitting in with her violin.

Warming up, hydrating up.

Tuning up
Stuck in traffic, the violin shows up.

A blend of jam along with songs on sheets of paper.


We start out spread apart but by the end the pull of each other like some force and we start to move toward the center.
One of human's most important discoveries...music.  There are few things more beautiful than when many become one together.


Saturday, April 29, 2017

Work In Progress

Yesterday afternoon Toothless Paulie shows up on his bike and pushes his nose against the gate.
Shouts "Whadda doing Paul?"
I say "Paulie you always ask the same question and I always answer, 'I'm working'."

I know why Paulie greased up my gate with his nose so I pull out a bottle of something and we go sit out front of 3003 and watch the slow flow go....... of the wide of assortment of West Oakland.  The crackheads coming by asking for money, a long conversation with Tall Paul who lives in a RV, that doesn't move, down Peralta, a young girl struggling with a  cello going next door for her music lesson with Crystal, and all the rest of the warp and woof that make up this place.

But before that (and which very effectively stopped the work in progress) the initial hand saw cuts took place.

Awaiting it's turn for the saw.
Chisel bites into and curls up.
I have no idea at which point in history this technique shows up but I can remember exactly when I first learned of it.  Sven was on top of a roof installing the facia board at the peak.  I was standing down on the ground and he said (probably with his pipe in his mouth) "If you run your saw between the two boards you'll get a perfect fit."
Probably 1976 or so.
So thank you Sven.  Again.


Saturday, April 22, 2017

Slow Down Assholes

I write an email to Shively Sensei .  And I wait.
No desire.
This is Buddhism 101.  I learned that once and for all in 1989. It took one year in darkness to see the light on that one.  It's like trying to hold onto dry Ocean Beach sand.  The harder you grip, the more it finds a way out of your hand.
For weeks I sat.  I didn't expect nor desired a return email.
I would have called but I wanted to send some pictures to SS and a phone call you can't do that.

The email said.

I want to make something to fill a hole.
No trim.  No jam.
Either a single slab or a bookmatch.
I'm completely open to any species except for the fucking walnut stuff.  Sick and tired of walnut.
Finished out to 33"x96"

Weeks go by.  I am buddha though.  I have learned what I have learned.

An email shows up.  "How about some Iron Bark Eucalyptus?"  Two photos are attached.

A day and time is chosen for me to make the pilgrimage out to West Marin, close enough to the Pacific that you can feel it right over the ridge.  A day and time because that is Sensei Shively's tao.  The first time I went there I was not to buy anything but only look.  That is how it works.


I leave early and drive slow.  That is part of it, the preparation of the ego to let it all go.

California is green right now.  Drink it up.


Roads wind through openness.  Roads deadend.
Finally you turn off the road and hit dirt mud gravel potholed abandoned houses.  At the first Y is the slow down assholes sign but that's it as far as directions go.  You're on your own from here.  The first time here if it weren't for the sound of the sawmill I might not have found it.
Even now I make wrong turns.
This, by the way, is not what you want to turn down.

I am parking as Shively is walking down to the office with another man.  I shake Sensei's hand and bow slightly as I say "Evan."
The other man smiles.  He knows.  He understands.

He puts his earmuff/helmut down on beauty.


Now folks, I've been here before but every time is the first time.  Evan has selected out of untold thousands of pieces of wood/life/spirit, your pieces he thinks are right.
And puts them in here....

 Every time I walk in is the first time.  I exclaim, I exhale, the spirit has entered.
The scale here is huge for wood.  Unbelievable wood, each piece more than just some sawn plant material but very life and art and spirit in each.
It's church.
It's the very highest of art galleries.
 I've lightened these photos up.  Evan keeps it very dark, like you're walking into a cave covered in ancient paintings of animals and people hunting.

There are birds singing inside.  Trees and birds singing.  It's mystical.  It's magical.


"We think they are in that vent work."


The scale of the pieces blow the mind.  That horizontal piece is maybe 4-5'x 10'

And yet this stuff is also super thin.


Evan says, "Yes, it's church but everything comes with a price tag" and smiles.

Look around he says and leaves.  Cory takes over.  She tells of ideas Evan had for design, he's thought about it, he just doesn't tell a worker to jump on the forklift and pick up random stuff.  I tell her I did some sketches already from the photos they had sent. It's close to their design but I have joinery, handmade handle and handmade hinges already figured out.  She is satisfied at this.

Cory tallies up the board feet.


This is why I come.  There is something different going on here.  If you don't know, you don't come.
If you don't get it, you don't come. If you don't feel it, you don't come.

I'm not going to post a link here.  You will need to find your way here yourself.